Irmgard Emmelhainz is an independent translator, writer, researcher, and lecturer based in Mexico City. Her writings on film, the Palestine Question, art, cinema, culture, and neoliberalism have been translated into several languages and presented at an array of international venues, including the Graduate School of Design at Harvard (2014); the Walter Benjamin in Palestine Conference (2015); the New School and the Americas Society (2016); SBC Gallery, Montreal (2016); the Curatorial Summit at the School of Visual Arts, New York (2017); and the Munch Museum, Oslo (2018). She is the author of El cielo está incompleto: Cuadernos de viaje en Palestina (Spanish, 2017) and Jean‑Luc Godard's Political Filmmaking (English, 2019), and Toxic Loves, Impossible Futures (VUP, 2022).