- Writing Revolution in Latin America
Writing Revolution in Latin America
From Martí to García Márquez to Bolaño
In the politically volatile period from the 1960s through the end of the twentieth century, Latin American authors were in direct dialogue with the violent realities of their time and place. Writing Revolution in Latin America is a chronological study of the way revolution and revolutionary thinking is depicted in the fiction composed from the eye of the storm.
From Mexico to Chile, the gradual ideological evolution from a revolutionary to a neoliberal mainstream was a consequence of, on the one hand, the political hardening of the Cuban Revolution beginning in the late 1960s, and, on the other, the repression, dictatorships, and economic crises of the 1970s and beyond. Not only was socialist revolution far from the utopia many believed, but the notion that guerrilla uprisings would lead to an easy socialism proved to be unfounded. Similarly, the repressive Pinochet dictatorship in Chile led to unfathomable tragedy and social mutation.
This double-edged phenomenon of revolutionary disillusionment became highly personal for Latin American authors inside and outside Castro's and Pinochet's dominion. Revolution was more than a foreign affair, it was the stuff of everyday life and, therefore, of fiction.
Juan De Castro's expansive study begins ahead of the century with José Martí in Cuba and continues through the likes of Mario Vargas Llosa in Peru, Gabriel García Márquez in Colombia, and Roberto Bolaño in Mexico (by way of Chile). The various, often contradictory ways the authors convey this precarious historical moment speaks in equal measure to the social circumstances into which these authors were thrust and to the fundamental differences in the ways they themselves witnessed history.
Juan E. De Castro is an associate professor of literary studies at Eugene Lang College of Liberal Arts, The New School, where he teaches courses in Latin American literatures. He is the author of three books: Mestizo Nations: Culture, Race, and Conformity in Latin American Literature (2002), The Spaces of Latin American Literature: Tradition, Globalization, and Cultural Production (2008), and Mario Vargas Llosa: Public Intellectual in Neoliberal Latin America (2011).
"De Castro introduces original topics such as LGBTQ and Revolution, and women writers such as Guelfenbein. This is a scholarly accomplishment, a groundbreaking work that is well written and researched, a model for arduous and significant contributions to the Latin American studies field, an original way to study the twentieth and twenty-first centuries with an original approach to the concept of insurgency. Indeed, the book is a benign revolt that will contribute greatly to this arena of inquiry."
—Martín Camps, University of the Pacific
"De Castro combines a superb command of the broad sweep of Latin American cultural and political history with a detailed knowledge of specific texts and the critical debates surrounding them. This book is an impressive achievement."
—Maarten van Delden, UCLA